Sunday, 22 March 2020

Behold the importance of radio

Whether it's the words of a tight contemporary music presenter or a trusted and engaging speech broadcaster, the importance of radio - what we say and how we say it - is becoming more important than ever.

In this age of misinformation, a free and fair broadcast media is relied upon to deliver relevant facts and to hold those in power to account for the decisions they make affecting its audiences.

You also have outlets renowned for entertainment and offering an escape from the things that upset or divide us.

These two parts of our industry are, and will be throughout this crisis, equally essential.

What a small proportion of listeners forget - ironically, given it is a key reason for choosing radio - is that the voice going into their ears belongs to a real human being. A person, like them, with loved ones and emotions.

I've always said the role of a presenter is to, at any given moment, either make someone smile and laugh or stop and think. The very best can do both depending on the topic.

As people, we are adaptable to the conversation. Similarly, the true masters of this craft never forget exactly who they're talking to and have a continuous understanding of what interests that person and different circumstances.

It is with those who appear to have the best grasp of their lives - and don't talk down to them - that listeners really connect with, get to know and regard as a companion.

Friendship is mutual and the presenter may feel able to open up to that one individual who is genuinely interested in what they have to say.

When times are tough, the relationship between you as a presenter and your listener can be a lifeline.

It's never easy rocking up to do an entertainment show when you're feeling like shit (trust me, as someone who's long struggled with my mental health, I've been there many times!) But we do it.

We also judge the mood. At the moment, coronavirus is causing widespread uncertainty and anxiety.

How do I, as a presenter, handle this? Will a sense of normality and the usual smiles sound out of place? Will my unease just make people feel worse when they're seeking an escape? It's a difficult balance to strike - and doing so requires enormous skill.

Ignoring the situation we all find ourselves in would be wrong as you're human and your job is to be relevant - acknowledge it, perhaps offering an interesting but sensible perspective (obviously without being patronising, speculating or making any other ill-informed comment).

At the same time, while the usual "feel-good weekend" amongst other features would sound out of place, there are many things your listeners will be clinging onto for a sense of normality.

Always remember who you're talking to and what they'd expect from the station or you personally.

Whilst the coming weeks look set to be very challenging, our appreciation of creative industries will become more apparent than ever.

This is our great medium's chance to really step up and show the world just how essential public service broadcasting can be.

Thanks to the talents within, radio will excel in being both a trusted source of information and a warm comfort blanket.

Wednesday, 11 March 2020

Finding the right words in the moment

Last night - just one week after picking up Radio Moment of the Year at the ARIAs for keeping a listener who'd taken an overdose on-air until the emergency services arrived - Iain Lee took another devastating call from someone at their lowest depth.

The caller, Mark, was in a similar position and, fortunately, Iain has tweeted to say that Mark is okay.

Iain Lee and Katherine Boyle's Late Night Alternative on talkRADIO is a phone-in show like no other in 2020. It's a modern take on the pinnacle of non-newstalk speech radio in the 90s where anything goes.

It's human. There's light and shade. It's unpredictable. It can be fun - even nonsensical at times - and it can be serious. These factors make it unmissable.

But the sensitive way in which presenters like Iain and Kath deal with callers like this - in the moment with thoughts racing and finding the right words whilst live to thousands - is truly incredible.

The ability to remain calm and empathise with someone you've never met who's suffering, whilst broadcasting in an emotionally engaging way that's real, relatable and potentially life-saving, is another level of talent.

Sunday, 8 March 2020

Podcasts - get to the point!

8 minutes 40 seconds into the podcast before they talk about the thing the podcast is about. Do people put up with this drivel?

Not many new listeners would.

A niche podcast should get straight to the point, even if that means a tease at the top.

The first episode can begin with a brief introduction to the host(s) and a bit about their experience/interest in the subject before getting into the meat.

Wednesday, 26 February 2020

Booking the right guest

Listening to some podcasts, you can tell the guest has only been invited on because they're the presenter's mate.

Of course, great chemistry can make a great listen but only if they have an interesting take on the topic.

In radio and podcasting, the listener comes first in everything you do.

Understand your audience. Who would they most like to hear from? Who has the most engaging story to tell? Who has the most to say?

Don't just assume it's the person you'd most like to have a chat with. If it is, that's ideal!

Wednesday, 19 February 2020

The power of stunting

Greg James "failed to show up" to present the Radio 1 Breakfast Show this morning following last night's BRIT Awards and it's certainly got people talking.

His colleague, Adele Roberts, told listeners Greg was a "dirty little no-show" while his wife tweeted that he didn't come home after the ceremony.

I'm surprised there isn't more stunting in radio these days. Who's Got Greg has generated a huge amount of press which is great for brand awareness.

Sunday, 9 February 2020

Calm during the storm

A year ago, I wrote about the power of local radio when done well in the right area.

Firstly, I'm not bitter about consolidation in commercial radio as explained here. It was destined to happen.

We often talk about how the need for localness is diminishing as a result of today's instant access to news online. While this is true, it was never all about information.

Trusted journalism matters, especially in a crisis/major event, but it's just one aspect of great local radio. If this was all stations did, audiences would be miniscule.

People choose to listen because of the overall feel. Something interesting, entertaining, understanding, flying the flag for the area - and, fundamentally on a day like today, reassuring.

Extreme weather is just one example of a local station putting an arm around listeners; both one-to-one and as a team facing and taking on the same challenges.

While networks can use splits and bespoke news/presenter links for the worst affected areas, which is great (and I'm not of the view they will all do the bare minimum), local voices that share the above qualities provide a unique sense of community.

Friday, 7 February 2020

Is local a core element of your brand?

Why do we listen to our radio station(s) of choice? Because we know what they stand for and like what they primarily do.

The Capital brand is all about hit music and showbiz content and the average listener will tune in for exactly that, regardless of where the morning show comes from.

In fact, a better-resourced national breakfast show reaching millions of people is better for the brand as it attracts bigger guests. How does it make sense to get Dua Lipa into Leicester Square only for her to be heard in London and not by the 73% listening in other parts of the UK at that time?

For the likes of UKRD and Lincs FM Group, being authentically local is the core of their business in such a way that it's a reason to listen in itself. For others, it's more about sponsorship and promotions and to comply with Ofcom regulations.

A Swift boost for radio

If you were anywhere near a radio this morning, you’ll know it was Taylor Swift’s world and we were all just living in it. The billionaire s...